1.0FUELhttps://fuellab.unimi.it/en/rich600338<blockquote class="wp-embedded-content" data-secret="smG65tUVBR"><a href="https://fuellab.unimi.it/en/2022/07/01/carlotta-cossutta-and-elisa-virgili/">Carlotta Cossutta and Elisa Virgili</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://fuellab.unimi.it/en/2022/07/01/carlotta-cossutta-and-elisa-virgili/embed/#?secret=smG65tUVBR" width="600" height="338" title="“Carlotta Cossutta and Elisa Virgili” — FUEL" data-secret="smG65tUVBR" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://fuellab.unimi.it/wp-content/uploads/sites/43/2023/01/COSSUTTA_VIRGILI.png19201010One of the radical dimensions of feminist theories lies in their ability to look critically at bodies, not only by questioning the separation between body and mind and between nature and culture, but also by analysing the status of bodies themselves. In this process, feminist theories overturn the political paradigms that have used the body as a metaphor, starting precisely from material bodies and their particularity. Taking Carla Lonzi's reflections as a starting point, we will try to trace possible jagged lines that connect the gestures of clitoral women to those of cyborgs, in order to ask what form of future is emerging. To this end, we will examine the idea of somatechnics as an unforeseen dimension that opens up unprecedented political actions and collective subjects that are constructed precisely by projecting themselves into possible futures.