1.0FUELhttps://fuellab.unimi.it/en/rich600338<blockquote class="wp-embedded-content" data-secret="DOk3bw3zoJ"><a href="https://fuellab.unimi.it/en/2023/02/22/marie-moise/">Marie Moïse</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://fuellab.unimi.it/en/2023/02/22/marie-moise/embed/#?secret=DOk3bw3zoJ" width="600" height="338" title="“Marie Moïse” — FUEL" data-secret="DOk3bw3zoJ" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://fuellab.unimi.it/wp-content/uploads/sites/43/2023/01/prova-con-texture.png1640924April 20, 2023 | 4:30-7 p.m. | Room 113, State University of Milan | Via Festa del Perdono 7 To borrow Leonard Harris' (1984) definition, I want to frame Black feminism as a "Philosophy born of struggle." Through the voices that have marked the history of this political and thought movement, it will be a matter of composing its shared epistemological framework, namely that of an epistemology of resistance and situated point of view. Based on these premises, four fundamental concepts of Black feminism take on consistency: agency, community, self-representation and self-consciousness. In an implicit dialogue with the Black philosopher Frantz Fanon (1952), the conceptual constellation thus sketched allows us to investigate the specific "mask" of Black feminism, which unlike Fanon's turns out to be anything but white, but on the contrary, a strategic epidermalization of the tension between subjectification and subjugation. Through this lens we focus on Black feminism's peculiar relationship to aesthetic power, that of a codified use of performativity oriented toward the becoming of the community of resistance.